For localisation
Which language pays for itself.
Clients ask which languages pay back and get an answer from catalogue and hunch. Unmet demand by language and market shows exactly where a dub or subtitle would meet real appetite.
Business development at localisation, dubbing and subtitling houses, and the content teams that brief them.
Three jobs
What it does for you.
01
Unmet demand by language
Markets where a title is watched in a language it has not been localised into. The slate, ranked by demand.
02
Prioritise the slate
Which titles, which languages, in which order. A demand number next to every line of the quote.
03
Sell with evidence
A one-page cut per client: what their audience already watches without the dub. The proposal writes itself.
Modules
The pages this job opens.
- Language and origin Markets
Demand by original language and origin: English, anime, K-content and more.
- Global map Markets
A world map of where your catalogue is in demand, market by market.
- Demand gap Markets
High demand and low licensed availability, ranked as addressable demand.
- Genre by country Trends and timing
Which genres over-index in which markets.
- Top charts Rankings
The most-watched titles, ranked. Filter by market, genre, studio, format and quality.
Language and origin
Last 30 days All sources Illustrative sample- Series 80.0% 28M
- Film 20.0% 6.9M
The objection
Our budgets are small.
Starter is $99 a month on a card, and it carries the language and market rankings. Console is for the houses that quote against it every week.
Other teams